5 Great photography books every photographer should own for better photos!

There are millions of photography books out there, and I often get asked if I recommend any books in particular for learning, study or inspiration. Personally I have really enjoyed the books that I have listed below, I think the most important book for an aspiring photographer is my top choice, Understanding Exposure by Bryan Peterson. The others are excellent too, so buy them all at the same time and read them all back to back, you’ll instantly be in a better position next time you are out with the camera practicing some of the ideas that these books will teach you.

Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera - Bryan Peterson
Understanding Exposure: How to Shoot Great Photographs with a Film or Digital Camera – Bryan Peterson

This is just a fundamental book that every photographer, no matter what level should read – really helps get a real world example of how to think about exposure and using different exposures makes such a a difference to your photographs, and how it changes your way of thinking. See more >

The Photographer's Eye: Composition and Design for Better Digital Photos - Michael FreemanThe Photographer’s Eye: Composition and Design for Better Digital Photos – Michael Freeman
This book I really loved, it is more of a book to teach you how to think and be creative, rather than another book on technique, and is a book I really didn’t want to come to an end. Really inspiring and gets you to think about the photograph – and not about the camera. Covering age old creative vision ideas – to really try and get you in the zone. Can’t recommend this book enough, it really should be on the top reading list of all photographers, no matter what the level.See More >

Basics Photography: Lighting by David PrakelBasics Photography: Lighting by David Prakel
If you have an interest in how to use external flash or lighting systems to improve your photographs, then this is the book for you. Documenting differing ways of approaching lighting a subject, tailored to each level of photographic knowledge – I think most people will get good use out of this great photography book. See more >

Black and White: The Definitive Guide for Serious Digital Photographers (Digital Photography Expert) - Michael Freeman
Black and White: The Definitive Guide for Serious Digital Photographers (Digital Photography Expert) – Michael Freeman
This book really does help you understand what is going on with a black and white photo, whether you are new to the process of converting colour to monochrome, or you are just looking for a book that will help perfect the final touches to your black and white images. I found this book really helpful, it’s well written and not out of reach for beginners. See More >

Lighting and the Dramatic Portrait: The Art of Celebrity Editorial Photography - Michael Grecco
Lighting and the Dramatic Portrait: The Art of Celebrity Editorial Photography – Michael Grecco This book I quite enjoyed, somewhat over the top in places, but definitely one more for inspiration rather than technique, but still a great book I would recommend. Talking mostly about using external flashes and extra light to help your photography ‘pop’, I found it to be useful and well worth a read. I have referred back to this book a number of times, so it’s not just going to sit on the shelf and gather dust.
See More >

Book review: Black and White – Michael Freeman (Digital Photography Expert)

Working my way through my pile of books I’ve finished and must review… next up is:

Black and White by Michael Freeman, which is in the Digital Photography Expert range of books. “The definitive guide for serious black and white photographers”

Buy it here on Amazon
The reason I bought this book was because I never felt that my black and white photography was anywhere near as strong as it could be, and it was something I had always planned on learning more about but just never got round to it. So I relished the opportunity to work my way through a few books on a trip to Germany in August, and this was on my hit list.

To give you a rough idea of what the chapters contain:

Chapter One: The language of Mono – Different concerns, visualising in mono, the complexity of landscape, contrast, silhouette, the essential graphic qualities, the problem of skies.

Chapter Two: Colour into greyscale - Basic colour conversion, The traditional filter set, Using channels, Aids to help conversion, Individual channels, Practical channel mixing, Using an adjustment layer, Appropriate proportions, Mixing to extremes, Hue adjustment, Channels into layers, Layer masks, Third party converters, Drama in the red channel, Yellows compromise, Blue’s atmospheric depth, Luminious green foliage, Flesh tones dark and light, Fine tuning dark skin, Fine tuning light skin, Thinking colour, Colour’s perceptual weight, Environmental reflections.

Chapter Three: Digital black and white – Maximising the range, Shadow detail, Preserving highlights, Targets for calibration, The zone system, Placing a tone, Adjusting tonal distribution, A different approach to tones, Gradient mapping, Dodging and burning, Multi exposure composites, High dynamic range images, Refining the tonal range, Noise control, Upscaling, Copying in black and white, Scanning negatives, Scanning positives

Chapter Four: Image editing and effects – Mood and atmosphere, Defining the mood, Toner effects, Analyzing traditional tones, Mimicing film response, Duotones, Manipulating duotone curves, Tones to suit, Stylized black and white, Posterisation, Adding age, Hand colouring.

Chapter Five: The Print - Desktop printers, Contact sheets, Printer calibration, Ink and paper, Mounting and display

Phew, that was a lot of detail I probably didn’t need to write, but hey as long as someone finds it useful it’s all good! I don’t know why I even write book reviews, I think it’s just the fact that when I look for photography books I like to have a quick five min scout around the web to see if it’s worth buying as there are an awful lot of rubbish books out there too.

Anyway, as mentioned before I bought this as I was never happy with my understanding of the black and white digital / film workflow, and this book seemed like it would have the right level of info for what I wanted. This book certainly didn’t disappoint.

One of the best things for me about this book is that Michael talks in great depth about differing ways to do the same thing, to get similar effects and styling. There is a good mix of both technical and creative thinking, so if you are willing to read each chapter and take a little while thinking about it until it’s properly sunk in, I really think you can learn a great deal about this book. Personally I think this is one of the best modern books on the black and white digital workflow that I have read or seen so far. I’m still working slowly through the Ansel Adams range of books too – but they certainly take a great deal more time to work through!

I would recommend this book for any photographer that wants to push their black and white photography up a notch, and he certainly has lots of case studies and things to try for yourself so you can really work out what’s going on in each chapter. All great stuff.

A strong 4 out of 5 for this book, another great book on photography – we are certainly blessed with having some amazing authors in the photographic field!

Find this book on Amazon here

Book review: Lighting & the dramatic portrait – The art of celebrity & editorial portrait : Michael Grecco

Right, time to catch up on some book reviews, I have been meaning to do them for a while now, but as I have some more on the way I thought I’d better do these first. I must point out that I have read every book I review, cover to cover. I can’t get enough books, especially when really good ones come along!

Buy here at amazonThis book is called “Lighting & the dramatic portrait – The art of celebrity & editorial portrait by Michael Grecco, a somewhat long winded title to write but there you go.

Here is a brief overview of the topics cover chapter by chapter:

Chapter One: Cameras – Formats and lenses, shutter + aperture = control, selective focus, plastic cameras.

Chapter Two: Illumination – Grecco’s Laws of Light of Light, Grid spots, Fresnls and Optical Spot Lights, Shadows, Strobes, Continuous Light, Lighting it!, Finding Light

Chapter Three: The Medium – From analog to digital, Your colour palette, Getting the colour you want

Chapter Four: Creativity and Conceptualisation – Collaboration, Storytelling, Locations, Studios and sets, Props, Wardrobe, Makeup and hair, Letting Go, Taking Risks

Chapter Five: The Connection – The subject / photographer relationship, Posing, Shooting egos, Shooting strangers

Chapter Five: Case Studies – Ironies and Humour, Celebrities, Music, Business and corporate, Nudes, Advertising, Sports, Drama.

Personally I got quite a lot out of this book, I think you need some experience of photographic lighting, even having just used a 2 or 3 light setup a few times, I think that without this you will miss some of the creative ideas that you can only really ‘imagine’ once you have been in that situation. I don’t think this book is aimed at people who have never thought about lighting, or even just starting, but certainly a good buy if you are serious in improving your creative approach to lighting.

For me, more than anything the best thing about this book is that the author shows you the exact lighting setup diagram for every images, which is really useful for improving your own shoots, or even just giving you creative inspiration for future shoots.

It’s not massively technical, more on the rough usage of lights to change the look and feel of a portrait, and styling it to give it a sense of emotion.

I think it is a must have for a photographer interested in portrait photography, or even just people who have a couple of off camera flashes they want to use at the next level. I got a lot out of this book. I can imagine I would have this almost as a close to coffee table book, rather than a ‘tech’ book hidden away on the bookcase somewhere.

I think it’s well worth the money, I think I paid about £13 for it off amazon (Try looking here)

Overall I would give this 4 or even 5 out of 5, a good addition to my library, and something I would certainly recommend to others.

Click to see it here on Amazon

Other book reviews I have written on this site:

1. Book review: Michael Freeman – The Photographer’s Eye
2. Book review: 500 (studio) lighting hints, tips and techniques by Rod Ashford
3. Book review: (Basics Photography 2) ‘Lighting’ by David Prakel. Studio Photography Lighting Techniques
4. Book review: Lighting & the dramatic portrait – The art of celebrity & editorial portrait : Michael Grecco
5. Book review: Black and White – Michael Freeman (Digital Photography Expert)

Michael Freeman – The Photographer’s Eye : Book Review

Book review for:
The Photographer’s Eye – Composition and Design for better digital photos, by Michael Freeman
Verdict: 9/10 – Excellent!

I came across this book over a year ago, and it sat on my shelf gathering dust with a few other photography books that were on my ‘must read’ pile, no matter how much I read this pile never gets smaller…I seem to have a problem not buying every photography book I start flicking through in the local bookstore.

Michael Freeman - The Photographers EyeAnyway, eventually I found the time to get stuck into the book, and a few pages in it became evident that it was going to be a good one. On the theme of my last post about creativity, this book certainly helped aid creativity a while back when I was going through a bit of a creative block. It’s not often that you actually find a photography book that ditches the technicality of exposure, techniques and equipment – it’s a refreshing change to find on 100% on pure creativity, literally trying to help you develop an eye for a better photograph.

I think this book is pretty much suitable for anyone really, but I think I would suggest this book to people who know the fundamentals of photography, or people that aren’t really thinking about the tech when out taking photo’s, the people who are actually trying to capture something with better composition and design.

I know it’s difficult when you are starting out with photography, as there is so much technicality to take in before you are in a position where you physically know the right ‘settings’ to be able to get the photograph in your mind.. something that took me a long time to get to grips with. It’s a pretty liberating feeling when you get to the stage when it’s your creativity that is fundamentally getting in your way to getting the photographs you want rather than the technicalities. Obviously you can never know enough about photography, but I very much think that once you have come a certain distance with your technical learning – with and eye for creativity you can really start getting good images consistantly rather than the odd one off.

This book is a refreshing change, every section was as good as the previous, covering simple techniques for basic composition, to much more complicated ideas and theory. All good stuff, I really can’t stress quite how good I found this book.

Chapter One
focuses on the ‘Image Frame’ – looking at the aspects of cropping, basic filling of frame, framing, divinsing and general shape of the physical image.
Chapter Two is describing the ‘Design Basics’ – from using contrast and dynamic tension, rhythm, pattern and texture.. all great ideas showing you the possibilities of just a simple image.
Chapter Three discusses the ‘Graphic and photographic elements’ within a picture, such as using diagonal or horizontal lines, eyelines, motion and movement within your picture to portray what you imagine to be happening in the scene.
Chapter Four talks more in depth about ‘Composing with light and colour’ – Looking at chiaroscuro and key, color in composition,, color relationships, muted colours and black and white.
Chapter Five discusses ‘Intent’ – covering such topics as conventional and challenging, documentary or expressive, style and fashion etc.
Chapter Six, the final chapter talks about the ‘Process’, such as searching for order, construction and juxtaposition, post production and anticipation.
The actual imagery used within the book used by Michael Freeman is excellent, he uses some amazing images to describe the ideas and techniques to help aid your creativity, the general layout of the books is extremely good on the eye, and makes for a very easy going read – I can highly recommend this book to anyone and any level of photographic knowledge, I actually wish that every photographer would read it!

You must understand that this book doesn’t talk about EXIF data of any kind, he doesn’t mention the kit he used to take the photos, nor the f stop or ISO, even the camera he used, which in my opinion is pure joy, it really helps you focus in on the creative part of your thought process, in my mind the most important part.

Not often do I rate a book as high as this, I cannot see why I could give this book any less than 9/10 – it is pretty much faultless, a worthy book on the bookcase of the photographer.

To see the book on Amazon please click the link below.
The Photographer’s Eye: Composition and Design for Better Digital Photos

Thanks,
Chris

Book review: 500 (studio) lighting hints, tips and techniques by Rod Ashford

500 Lighting Tips and TechniquesHave just finished reading through the book: 500 lighting hints, tips and techniques by Rod Ashford and have written a quick review of it.

This book is definately aimed at people are starting out being interesting in studio photography, and showing them a number of options about how to start. The book offers good information covering quite a large range of studio photography, so is an excellent read if you are just starting out, or even trying to work out what your options are before you buy equipment.

The books offers not only information, but tutorials and work along case studies – ie setting lighs up certain positions to get certain effects – which is an excellent learning curve when starting out.

The first chapter covers topics such as studio equipment, light quantity and quality, how cameras record the pictures, tripods and measuring light with light meters.

The second chapter covers how to ‘see’ with light, contrast, hard and soft light, direction and angle, diffusion and reflection.

Chapter 3 covers working with daylight and modifying daylight, using reflectors, softening shadows using reflectors, diffusers and using fill in flash.

Chapter 4 talks about; portable flash usage, studio flash, anatomy of a basic flash head, triggering the flash, measuring artificial light, controlling the light,how many lights you need?, working with one light, multiple lights, and purchasing lights.

Chapter 5 covers topics such as using lighting setups to record artwork, and various case studies and tutorials.

The last chapter covers a little about post production techniques.

Overall this book is aimed primarily at people just starting out with studio photography – I could see it being a useful reference book for beginners.

If you are interested in purchasing this book there is a link here:

500 Lighting Hints, Tips, and Techniques

Book review: (Basics Photography 2) ‘Lighting’ by David Prakel. Studio Photography Lighting Techniques

David Prakel - LightingI have recently had a chance to read a book in the ‘Basic Photography’ series ‘Lighting’ by David Prakel.

Although it seems from the title it is purely for basic techniques of lighting, it really does cater for all levels of skill – and in my opinion suitable for all.

The first chapter as all about the theory of light, about exposure and how to understand both basic and advanced use of exposure, using polarized light and using polarising filters. He also talks about imaging at the ends of the spectrum.

The second chapter, headed ‘Natural Light’ he talks about the use of the differing types and how to use natural light, covering topics such as day light, evening light, night, seasonal quality of light and the effect of location.
The third chapter called ‘Available Light’ includes topics such as how to use differing types of light such as flourescant light, street lighting, neon lights and gig photography.

The fourth chapter talks mainly how to use continous light, and this develops into chapter six which covers more in depth use of studio lighting such as how to shape light using tools available, building studio lighting, rembrant style of studio lighting, butterfly lighting (another form of studio lighting) commercial lighting, light tents for jewellery and product photography, as well as pack shot photography and finally cinematic lighting techniques.

The last chapter looks more in depth at using the light you have available, so focusing on the actual quality of the light and how to reveal shape, revealing form, texture, tone and colour. It also talks about practising experementing with light.

Overall I would recommend this book to pretty much everyone who might be interested, from both beginner to advanced. I personally really enjoyed it.

There is a link below to the book on Amazon if you are interested.
Basics Photography: Lighting